The Greenwich and Docklands International Festival (GDIF) has relatively quickly established itself as one of Britain’s premier outdoor cultural events, all the remarkable because it is FREE. Artistic Director Bradley Hemmings has a keen eye for what’s hot in Continental Europe and beyond and the Festival makes brilliant use of the diverse historic and contemporary venues on offer in the Royal Borough of Greenwich, as well as over the river in Tower Hamlets and Newham. This evening, as I made my way to the GDIF opening reception at the Cutty Sark (impressively reborn after the terrible fire of 2007 and now exposed in all its copper-bottomed glory in a fine exhibition space) I watched a company of dancers from Antwerp performing on the surrounding piazza, in front of a mirrored mobile van in which 20 privileged spectators had a keyhole view of the action from the inside. At the reception, fitting tribute was played to sponsors, including the Royal Borough of Greenwich, Arts Council England and this time the Flanders representation in London. Whilst we invitees swapped notes over canapés and wine, a select few were wired into another dynamic experience, their perception controlled by computer, which gave them the impression of walking through the streets of Brussels, including at one stage carefully stepping along a narrow balustrade in front of Belgium’s Palais de Justice. Later, the guests moved to the Greenwich Maritime Museum to watch Muaré, a psychadelic extravagance involving aerial theatre by artists from Spain and Argentina descending from giant revolving optical art mobiles. The Festival runs on until 28 June and I am particularly looking forward to events in Mile End Park, just along the road from my home, and at the Olympic Park in Newham.