banner9
Post a Comment Print Share on Facebook
Featured london journalist avrupa media London UK Visas Rachel Beckles Willson
banner6

reads.

Serpentine Galleries Autumn Exhibitions 2014

The exhibition will reveal the transformative effects of light, sound and time on the vaults and spaces of this former gunpowder store. For Wyn Evans “the site of the gallery, the perception of sight, the citation of references are multiple and swarming”. Wyn Evans began his career as a film and video maker, producing short, experimental films in the late 1970s. Since the 1990s, his work has been characterised by a focus on language and a conceptual approach that is often developed out of the context or history of the exhibition site.

His work is often shaped and coloured by a magpie-like approach to influences which, like his installations, are intended to suggest a number of possible interpretations. The incorporation of text, either as the source of a work or as the final form that it takes, addresses this process of interpretation directly. Ornate chandeliers are transformed into communication devices via software systems that translate texts into Morse code; neon tubes are bent into quotes that form a frieze of light that runs around the room. Wyn Evans’s use of sound will be another key feature of the exhibition. Mechanical flutes, suspended in the central spaces, will sound throughout the building, while a directional speaker placed on the gallery floor will produce a column of sound that draws attention to the surrounding architecture. Lights appear to inhale and exhale and a neon text will wrap frieze-like around the entire exhibition space. Wyn Evans’s references include John Cage, Rainer Werner Fassbinder, Iannis Xenakis, Georges Bataille, James Merrill, Marcel Duchamp, Pierre Klossowski, Hanne Darboven, Gilles Deleuze, Marcel Proust, Sturtevant and Andy Warhol.

These sources, even if made visible, are often treated as Readymades and are grouped in synchronicity and contradistinction with one another. Wyn Evans’s show forms part of a series of Serpentine exhibitions that reflect on British artists at significant points in their careers, and follows recent surveys of Rebecca Warren (2009), Richard Hamilton (2010), Phyllida Barlow (2010), Mark Leckey (2011) and Jake and Dinos Chapman (2013). This exhibition runs concurrently with Trisha Donnelly at the Serpentine Gallery.

CERITH WYN EVANS

17 September – 9 November 2014

Serpentine Sackler Gallery

PRESS VIEW: MONDAY 15 SEPTEMBER 10AM-12PM

 

Avatar
Your Name
Post a Comment
Characters Left:
Your comment has been forwarded to the administrator for approval.×
Warning! Will constitute a criminal offense, illegal, threatening, offensive, insulting and swearing, derogatory, defamatory, vulgar, pornographic, indecent, personality rights, damaging or similar nature in the nature of all kinds of financial content, legal, criminal and administrative responsibility for the content of the sender member / members are belong.